Choose one of Whiteleys self-portraits. Jill Sykes, Look, 'Members events', pg. Part of his work Alchemy (197273)[9] was featured on the cover of the Dire Straits live album Alchemy although it had the addition of a guitar with lips held by a hand. See opening hours It might be argued that the hair is an affectation Whiteley used too frequently for comfort. He made several attempts to dry out and get off drugs completely, all ultimately unsuccessful. are Butcher Bird with Baudelaire's Eyes of 1972 in pen, ink, gouache and collage, and the . Terry Smith, Australian cultural history, 'Populism and Privilege in Australian Painting', pg. This is the first time a Brett Whiteley exhibition has toured to regional Australia since the Brett Whiteley Studio opened in 1995. The young Whiteley duplicates the three-quarter turn of the head, the painters sullen-or-soulful gaze which holds the viewers eye. He painted Patrick White while the author was working on his autobiography, Flaws in the Glass in 197980; thus two great portraits of White, painted and written, developed together. Self Portrait in Studio Brett Whiteley 1976. Brett Whiteleys 'Self portrait in the studio exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. Andrew Sayers, To look within: self portraits in Australia, 'The artist's self-portrait in Australia', pg. Barry Pearce, Art Gallery of New South Wales handbook, 'Australian', pg. Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons. ACKNOWLEDGMENTS; PREFACE; THE CHECK; JERRY; WESTERN UNION; COUNTRY LIVING; THE CB THIRTEEN MEN; GREAT PLAINS; TRAMPS; SALEM; THE FARM; SCHOOL; BE FRUITFUL; AUSTA; THE . ), Sue Williams, Daily telegraph mirror, 'Memories of Whiteley', subtitled 'Portrait of an artist', pg. 'Strung between triumph, tragedy' an obituary by Barry Pearce. 1975 It was hanging beside a wonderful John Olsen, Five Bells (oil on hardboard, 1963) on the day i visited, which i thought most apt for the two were good friends. One way that America influenced him is in the scale of his works. (Bibliographic reference no. 218-227, New York, Sep 1998-Oct 1998, 222-223 (colour illus.). This is an advertisement for an art book titled `Brett Whiteley' by Sandra McGrath. 102-181, Sydney, 1999, 167 (colour illus.). Terry Ingram discusses current art market, and valuation of Whiteley's work. In London he excited art dealers and fell under the influence of painters such as Francis Bacon. Exhibition Commentary: Brett Whiteley at Bonython, Sydney. His wife Wendy appears as "Delish". Abstract: `Prizes, Rivers and More Prizes' by Sandra McGrath, pg. How do they compare to Whiteleys artworks? Critique of Whiteley. This appeared in the `Arts' section of `The Australian Supplement'. 86. In the latter painting, the table in the front of the room close to the viewer has minutely decorated vases and small objects, while a drawing on the left and a sculpture to the extreme right show how Whiteley often used erotic images in his works. Balmoral Brett Whiteley 1978. Lou Klepac, Affinities: Brett Whiteley & Lloyd Rees, 'Introduction', pg. Fields marked with an asterisk (*) are required. 30.5 x 25.5 cm. 232-243, Sydney, 2000, 232 (colour illus.). The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' 1039 Words; 3 Pages; The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' The symbols:He has used a variety of line, round and curvy in some areas but straight in others. Growing up in Longueville, a suburb of Sydney, Whiteley was educated at Scots School, Bathurst[2] and Scots College, Bellevue Hill. Provenance: private collection NSW (gift from the artist c.1975). Having attained the height of success, he realised that from this pinnacle the only way is down. Nancy Borlase., The Sydney Morning Herald, 'Whiteley's year', Sydney, 27 Jan 1977, (illus.). While he was a teenager, he painted on weekends in the Central West of New South Wales and Canberra with such works as The soup kitchen (1958). . This is flanked on one side by a baboon howling with anguish as a ghostly hand delivers it a syringe, and on the other a photograph of the artist looking serenely normal. Brett said he had wanted it to scare himself straight. [1]. He started drawing at a very early age. The urge was bound up with a self-conscious sense of his own genius. The room is a veritable salon hang of the artists sculptures and drawings. He was the subject of an ABC television documentary called Difficult Pleasure directed by Don Featherstone in 1989, which showed him talking about many of his main works, and his recent works such as ones done during a month-long trip to Paris; one of his last overseas trips. This is the same article that appeared in `The Saturday Mercury', titled `Whiteley gone but his great spirit lingers on', 20 June, 1992. from The New York Times: ), 6-7. Jane Fraser., The Australian, 'Tribute to Whiteley looks back with love', Sydney, 07 Jul 1992, 3 (illus.). 1928 Dr Alexander Leeper by John Longstaff. The Brett Whiteley Studio, Whiteley & Rees: More affinities, Sydney, 2005, (illus.). The Brett Whiteley Studio, Brett Whiteley: Interiors, Sydney, 2001. This long oil and ink self-portrait incorporates fluid lines building to a sense of rapture, intoxication and playfulness. plate no. His reference to art history, including an image of the famous 1943 William Dobell portrait of Joshua Smith, won a court case against accusations that it was a caricature, not a portrait. Unlike 'Self portrait in the studio, critics were divided about 'Art, life and the other thing, perhaps because of its sensationalism and lack of subtlety compared to the earlier work. [1] He held many exhibitions, and lived and painted in Australia as well as Italy, England, Fiji and the United States. Thomas Keneally, Australia, 'Dead heart / live heart', pg. It was these abstract works which led to him being recognised as an artist, at a time when many other Australian artists were exhibiting in London, but from 1963 he moved away from abstraction towards figuration. Barry Pearce and Alec George, 9 Shades of Whiteley, '5: Portraits', pg. Brett Whiteley, Self-Portrait in the Studio (1976) In 1976, Brett won the Archibald Prize for his painting Self Portrait in the Studio. 272-275, Port Melbourne, 2010, 3 (colour illus. 213-236, Sydney, Summer 1982, 235 (colour illus.). from The New York Times: Clinton had borrowed from his proposals to make public colleges free. (Whiteley 1979: 1) Whiteley also made images of the beach, such as his yellowish painting and collage work The beach II, which he painted on a brief visit to Australia before his return to London and his winning of a fellowship to America. All Rights Reserved. Whiteley travelled extensively throughout Asia, including India in 1965, and Japan in the last years of his life, experiencing at first hand the sources of his inspiration. Brett Whiteley is photographed by Robert Walker at. ), 205 (colour detail illus.). A detail of Whiteley's self portrait is accompanied with a photograph of the artist. The artist's face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger . morning, Available for everyone, funded by readers. Directed by James Bogle and produced by Sue Clothier, Whiteley includes extensive archival footage and photos, personal notes and letters, as well as animations and dramatic reconstructions, although no new interviews were shot for the film. It has primarily black on one side and has an image of his wife Wendy in a bathtub, seen from behind. Donated through the Australian Government's Cultural Gifts Program. 13-35, Sydney, 1988, 32, 34-35 (colour illus.). SELF-PORTRAIT, 1977 Shop today! See opening hours One suspects a touch of trichophilia a fetishising of hair with vague sexual overtones. In the former, Whiteleys face appears in a hand-held mirror, as one small feature on a large, luxuriant ground of deep blue. Andrew Powell, Departures, 'Sydney[.] 7-106, Sydney, 1994, 80 (colour illus. Whiteley loved painting Sydney Harbour views in the 1970s such as in his paintings, Henri's Armchair (1974)[10] The balcony 2 (1975)[11] and Interior with time past (1976),[12] which show an interior and exterior view starting with a room that leads through open windows to the harbour full of boats outside. However Marlborough-Gerson, his gallery, refused to show the work, and he was so distraught that he decided to leave New York, and he 'fled' to Fiji. One includes Australian artists John Olsen, and John Coburn examining Whiteley's Archibald prize-winning entry. Donald Williams, In our own image: the story of Australian art, Sydney, 2002, 173 (colour illus.). In 1989, he and Wendy, whom he had always credited as his 'muse', divorced. Alchemy is the mythical ancient process of turning ordinary compounds into gold. Museum of Applied Arts and Sciences, Ken Done: The Art of Design, Sydney, 1994, 32 (illus.). Geraldine Pascall., The Australian, 'All the makings of a lovely brawl', Sydney, 21 Jan 1977, (illus.). Almost too brutally honest, it seemed like the final flaring of a dying star. The Brett Whiteley Studio (Editor), Big blue: the painted harbour (list of works), Sydney, 1997. 30.5 x 25.5 cm 174-195, Oxford, 2001, 190 (colour illus.). Lina Tesoriero and Helga Nilson, Aspects of Arts, Marrickville, 1993, 23 (colour illus.). Art Gallery of NSW. His paintings during these years were influenced by the modernist British art of the sixties particularly the works of William Scott and Roger Hilton and were of brownish abstract forms. How can you use colour, texture, symbols and other elements to give viewers an insight into how you are feeling? cat.no. [24] The paperback, featuring a new cover, was released in 2017. Greg Weight (b. Lou Klepac, Brett Whiteley Drawings (2013). After studying half-heartedly at art school he travelled to Europe on a scholarship. Sandra Jane, Art is making, creating and appreciating 2, Milton, 1999, 121 (colour illus. Tributes to Brett Whiteley collectively written by Stuart Purves; director of Australian Galleries, Doug Hall; director of Queensland Art Gallery, Colin Lanceley; artist, Mary Eagle and Andrew Sayers; curators of Australian Art at the Australian National Gallery, and, Paul Delprat; Principal of The Julian Ashton Art School. His rock-star status and his popularity in secondary school art rooms may have eroded his street cred in the art world, but Lou Klepac's book Brett . The work is an anthology of Whiteley motifs, including the view of Sydney Harbour from a window, a reclining nude, an armchair, and a piece of blue-and-white . List of works. BRETT WHITELEY. [28], This article is about the artist. Brett Whiteley self-portrait, Remembering Lao Tse (Shaving off a Second), 1967 [image link from artquotes.net] . Barry Pearce, Three years on: a selection of acquisitions 1978-1981, 'Australian Art', pg. Max Prisk (Editor), The Sydney Morning Herald, 'The crucial art of living dangerously', Sydney, 17 Jun 1992, 17 (illus.). They had borrowed the money, using their car as collateral. Gareth Sansom (born 19 November 1939) is an Australian artist, painter, printmaker and collagist and winner of the 2008 John McCaughey Memorial Prize of $100,000.. Best known for introducing new themes and subject-matter into Australian art and being one of the first Australian artists to be influenced by Pop art, particularly British Pop artists like Peter Blake, Allen Jones, Derek Boshier . This website comprises and contains copyrighted materials and works. Ink on Torn Reassembled Paper 65x60cm An amazing man. 2023 Guardian News & Media Limited or its affiliated companies. Walsh also appears in the . Donated through. From the late 1970s, his self-portraits such as Art, life and the other thing 1978 began to trace his heroin addiction, which increasingly impacted his life and career. Geraldine Pascall., The Australian, 'Whiteley's arts double; Judges' daring matches entries', Sydney, 22 Jan 1977, (illus.). Through the 1960s he exhibited around the world as well as in Australia before the family returned to live in Lavender Bay on Sydney Harbour. Anna Waldmann, The Archibald Prize: an illustrated history 1921-1981, Sydney, 1981, 235 (colour illus.). (age36in1975). Brett WhiteleySelf Portrait In The Studio 1976Music: 4 minute excerpt from The Pipes of Pan at Joujouka (Brian Jones 1968)Track: Your Eyes Are Like A Cup of . fig.no. Editor Unknown (Editor), Brett Whiteley The Retrospective, This exhibition travelled to Victoria from New South Wales, Melbourne, pre 02 Jul 1996, Cover (colour illus.). The 44-year-old Hele's winning entry was a portrait of Mr Robert Campbell, South Australian National Art Gallery director.'. Get the best deals on Brett Whiteley Art. and their inevitable separation added to the artist's problems with substances and self-doubt. Signed and dated l.r., black ink "brett whiteley/ 1975-76/ ". ), 23. On weekends Whiteley painted around the New South Wales country towns of Bathurst, Hill End and Sofala, producing works such as Sofala 1958. ), 235. The Brett Whiteley Studio (Editor), Big Blue - The painted harbour, Sydney, 1997, cover (colour illus.). Barry Pearce, Brett Whiteley Art & Life, 'Persona and the Painter', pg. Brett Whiteley AO (1939 - 1992) Born 7 April 1939 Sydney, New South Wales Died 15 June 1992 (aged 53) Thirroul, New South Wales Education Julian Ashton Art School Known for Visual arts Movement Avant-garde Awards: Biennale de Paris - International Prize for Young Artists 1962 Archibald Prize 1976 Self Portrait in the Studio, 1978 Email clairem@ag.nsw.gov.au. Source: Art Gallery of New South Wales Archive. Many who were close to Whiteley, then aged 39, felt sure he would not survive beyond 40. In retrospect, Whiteleys life and work in the 1970s, when he was widely perceived as Australias leading artist, may be seen as a time of great personal conflict. It premiered at the Sydney Opera House on 15 July 2019. The illustration in this publication is a detail of this image. Consider the location, size and functions. 30-35, London, 2013, 31 (colour illus.). How did his studio inspire Brett Whiteleys art-making? In July 2016, Text Publishing published Whiteley's biography, titled Brett Whiteley: Art, Life and the Other Thing. Image of David Williamson standing in front of 'The balcony 2'. Year. Jenny Aland and Max Darby (Editors), Art Connections, 'Visual design or plan of artworks', pg. Their only child, daughter Arkie Whiteley, was born in London in 1964. It was his comment on the direction the world might be headed and his response to a seemingly pointless war which could end in a nuclear holocaust. Do you feel you are watching the subject or is the subject watching you? By townxycolter. It started with a peaceful, dreamlike, serene ocean scene on one side, that worked its way to destruction and chaos in a mass of lighting, red colours and explosions on the other side. Back in Sydney at the end of 1969, Whiteley moved to Lavender Bay and became involved in the Yellow House artists collective in Kings Cross. Shop with Afterpay on eligible items. Wilson quotes a letter the artist addressed to his mother, in January 1979, in which he writes of the realization (sic) of the deep responsibility I have to my talent, to share it with my fellow Australians with the world I am fighting the biggest struggle of my life at the moment. [4] He also spent time with friends including Mark Knopfler and John Illsley from the band Dire Straits. Drugs and . It was the cage of his interior, his addiction, the window or a glimpse of possible escape into paradise: the escape from one's psyche. 23, Sydney, 2008, 3, 22 (colour illus. In 1999, Brett's mother Beryl Whiteley (19172010) founded the Brett Whiteley Travelling Art Scholarship in memory of her son. Whiteley's tiny mirror self-portrait also reflects the influence of Eastern art in his portrayal of man as merely part of a larger landscape. This article refers to Whiteley winning both the Archibald and Sulman prizes in 1977. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. Brett Whiteley painting - alchemy 1972-1973 Art Print. Brett Whiteley AO (7 April 1939 15 June 1992) was an Australian artist. Fixed: Release in which this issue/RFE has been fixed.The release containing this fix may be available for download as an Early Access Release or a General Availability Release. Telephone (02) 9225 1734 or 0414 437 588. Close up of painting focused on blue harbour and white boats which merges with actual harbour footage with shimmering water. The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. Donald Williams, In our own image: the story of Australian art, Sydney, 1995, 170, 171 (colour illus.). He . The balcony 2 Brett Whiteley 1975 116.1981. corner, white oil "1975 brett whiteley". 15 Jun 1992. He lived in the northern suburb of Longueville and attended Chatswood Primary School, then Scots College in Bathurst. 81-82, Port Melbourne, 1998, 82 (colour illus.). For the Australian politician, see, Brett Whiteley Travelling Art Scholarship, "Brett Whiteley painting smashes Australian art auction record", "Self portrait after three bottles of wine", "How Whiteley Bay view became Selling Point", "Whiteley art auctions for nearly $3.5-million", "Whiteley painting sells for record price", "The Fourth Veil: Whiteley's Works on Paper, Brett Whiteley Studio", "Figure retoriche: Figures of speech. He makes no attempt to hide the fact that he is somewhere else He was trying silently to say, stay away, this is not what it might seem. cat.no. Edmund Capon AM, OBE and Jan Meek (Editors), Portrait of a Gallery, 'Australian 20th Century art', pg. List of winners. The Version table provides details related to the release that this issue/RFE will be addressed. During this time, Whiteley also painted works based on the animals at the London Zoo, such as Two Indonesian giraffes, which he found sometimes difficult. In this clip from the 1965 documentary 'The Australian Londoners', Brett Whitele. But there was another side thats duality of life and thats where Bretts pictures moved away from Matisses. Purchased by the New South Wales State Government 1994, transferred to the Gallery 1998 Wendy Whiteley, Brett Whiteley, 'Self portrait drawing calligraphically', 1975, Brett Whiteley Studio Collection Wendy Whiteley, Brett Whiteley, 'Self portrait', Brett Whiteley Studio Collection Wendy Whiteley. Free delivery and returns on eBay Plus items for Plus members. The famed author Mishima had committed seppuku in 1970 and the literary mythology that arose of his apparent final vision of enlightenment in the form of the exploding sun, as he pressed the knife into his body, inspired and became the basis for this work. Self portrait in the studio, 1976 Brett Whiteley Oil, collage, hair on canvas 773 x 600 cm, AGNSW Brett Whiteley's Self Portrait in the Studio was an expressionism painting which stretched the definitions of portraiture. David Shteinman, Philosopher, 'Tribute to a Dionysian Free Spirit. 6-7, Melbourne, Jul 1996, 6 (illus. Many of the ideas from the work may have come from his experiences with alcohol, marijuana and other drugs. Jonathan Cooper (Editor), The Art Gallery of New South Wales Bulletin, 'Big Blue', pg. 21, Sydney, 2008, 20 (colour illus. By vintage wall art. Wendy Whiteley on 'Self-portrait in the studio' (1976), Wendy Whiteley on the life and work of Brett Whiteley, Archibald, Wynne & Sulman Prizes for 1976, Art Gallery of New South Wales, Sydney, 22Jan197727Feb1977, Archibald Retrosepctive Exhibition, Art Gallery of New South Wales, Sydney, 19851985, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16Sep199519Nov1995, Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of the Northern Territory, Darwin, 13Dec199528Jan1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of Western Australia, Perth, 22Feb199608Apr1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of South Australia, Adelaide, 09May199616Jun1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 02Jul199626Aug1996, Brett Whiteley Art & Life (1995-1996), Tasmanian Museum and Art Gallery, Hobart, 18Sep199617Nov1996, Big Blue - the painted harbour (1997), Art Gallery of New South Wales, Sydney, 21Jun199729Mar1998, A Different Vision - Brett Whiteley Sculptures (1998), The Brett Whiteley Studio, Surry Hills, 04Apr199823Aug1998, Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04Aug200003Dec2000, Brett Whiteley: Interiors (2001), The Brett Whiteley Studio, Surry Hills, 14Jul200114Oct2001, To look within: Self portraits in Australia, University of Queensland Art Museum, Brisbane, 16Apr200420Jun2004, To look within: Self portraits in Australia, National Portrait Gallery [Old Parliament House], Canberra, 09Jul200419Sep2004, Warning: Smoking has been linked to some of the most powerful images of the twentieth century an MPRG exhibition., Mornington Peninsula Regional Gallery, Mornington, 04Apr200628May2006, 9 shades of Whiteley, Gold Coast City Art Gallery, Surfers Paradise, 12Jul200807Sep2008, 9 shades of Whiteley, Lismore Regional Gallery, Lismore, 13Sep200815Nov2008, 9 shades of Whiteley, New England Regional Art Museum, Armidale, 22Nov200808Feb2009, 9 shades of Whiteley, Newcastle Art Gallery, Newcastle, 14Feb200926Apr2009, 9 shades of Whiteley, Bathurst Regional Art Gallery, Bathurst, 01May200914Jun2009, 9 shades of Whiteley, Mornington Peninsula Regional Gallery, Mornington, 02Jul200923Aug2009, Iconic Whiteley (2009-2010), The Brett Whiteley Studio, Surry Hills, 12Sep200922Aug2010, Brett Whiteley - Connections (2010-2011), TarraWarra Museum of Art, Healesville, 06Nov201019Mar2011, Blue (2011), The Brett Whiteley Studio, Surry Hills, 09Jul201108Jul2012, The nude: erotic, sensual and sacred, The Brett Whiteley Studio, Surry Hills, 12Apr201301Sep2013, Brett Whiteley portraits, The Brett Whiteley Studio, Surry Hills, 23May201428Sep2014, Brett Whiteley: sculptures and ceramics, The Brett Whiteley Studio, Surry Hills, 05Jun201506Dec2015, Destination Sydney, Manly Art Gallery and Museum, Manly, 05Dec201514Feb2016, Naked, The Brett Whiteley Studio, Surry Hills, 18Nov201614May2017, Brett Whiteley: drawing is everything, Art Gallery of New South Wales, Sydney, 15Dec201831Mar2019, Brett Whiteley: drawing is everything, Bendigo Art Gallery, Victoria, 31Jul202131Oct2021, Brett Whiteley: drawing is everything, Bathurst Regional Art Gallery, Bathurst, 10Dec202126Jan2022, Brett Whiteley: Lavender Bay, The Brett Whiteley Studio, Surry Hills, 25Oct201915Mar2020, Brett Whiteley: Blue and White, The Brett Whiteley Studio, Surry Hills, 30Apr202227Nov2022, Brett Whiteley: Eternity is Now, The Brett Whiteley Studio, Surry Hills, 03Dec20222023. (1939-1992 ) Whiteley looks out at us directly, with none of the emotional address of his early Van Gogh style portrait, none of the mock decadence of 1976, or the drug-fuelled angst of 1978. Difficult pleasure is how he described painting, or creating art stating, "Painting is an argument between what it looks like and what it means. One image which uses van Gogh's style in a unique way is The night caf (197172). The painting is set in Brett Whiteley's studio with his furniture and includes his other artworks around him. This article appears in 'The Arts' section of the newspaper. Collage these images together to create a portrait to display in class. Terry Ingram., The Australian financial review, 'Market may see "secret" paintings', Sydney, 14 May 1993, 7 (illus.). Yet he would survive for another 14 years, fatally succumbing to his drug addiction in a motel room at Thirroul on the south coast of New South Wales in 1992. AU $100.00. card no. 18-19, Sydney, 13 May 2006-14 Jun 2006, 18-19. The balcony 2 Brett Whiteley 1975 116.1981. The elongated centre image of Whiteley references the uproar over William Dobells unconventional Archibald-winning portrait of Joshua Smith of 1943. 13: Brett Whiteley 'Self portrait in the studio' 1976. Transmission films. The author, Ashleigh Wilson, was the arts editor of The Australian newspaper. This clip shows Brett Whiteley's artworks in his studio intercut with black-and-white photographs of him as a child. unknown author., The Australian, 'A buzzing, excited pitch', Sydney, 24 Jan 1977, 8. unknown author., The West Australian, 'Controversy likely over art winner', Perth, 22 Jan 1977, (illus.). 15-41, London, 1995, 35, 165 (colour illus. Whiteley became the youngest artist to be purchased by the Tate Gallery when it acquired his only two works at the time, Red . The coroner's verdict was 'death due to self-administered substances'. 34, Sydney, 17 Jun 1992, 34. unknown author., The Sydney Morning Herald, 'Mirror image a winner for artist Whiteley', Sydney, 22 Jan 1977, (illus.). 47-49, Sydney, Nov 2008, 47 (colour illus.). 8 in education pack. For portraiture to survive, especially self-portraiture, there has to be a deepening quality of self-revelation. Michaela Boland., The Weekend Australian, 'Whiteley's ex-wife ready to fight forgeries', Canberra, 06 Nov 2010-07 Nov 2010, (colour illus.). Brett Whitely (Australian 1939-1992) Bio. Barbara Konkolowicz, Look, 'Big Blue Sydney Harbour Through The Eyes of Artists', pg. Clare Gervasoni and Susan Paterson, Catbuster: Art, 1994. cat.no. Are you being ignored or judged? [8] He took the van Gogh painting and stretched the lines of the room to a single vanishing point, creating an image which appears fast moving and extremely vibrant and dynamic. 2), 'The Archibald Prize', pg. Saturday 29 April to Sunday 20 August 2006. Daniel Thomas., The Age, 'Desperate Beauty', Melbourne, 20 Jul 1996, 7 (illus.). Artists; A-Z Listing; Art movements; Schools and groups 165-213, Kensington, 1979, 204 (colour illus. Jill Sykes, Look, 'McCulloch's Encyclopedia', pg. 44-45, Sydney, Jun 2012, 45 (colour illus.). AU $100.00. Andrew Sayers, Australian art, 'Icon and abstraction 1951-68', pg. Do you feel welcomed or uncomfortable? He is represented in the collections of all the large Australian . Catalogue text. Brett Whiteley - Far North Queensland (1992) oil, earth, charcoal, collage on plywood. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995. .